I'm supposed to be the example. Tavish had always followed him around. His little brother had listened to every one of his made-up adventures, agreed without question that one day Cowan would grow up and save the country from a possible future, had played a nation of adoring fans for the knight who traveled to the most bizarre, dangerous times to keep the Populace safe. Cowan stared at the pile of laundry, slightly stiff from hours of flapping in the wind. Once Tavish had left, he got stuck with all the chores. Not that folding clothes took that long, but it was the principle of the thing. Tavish was off learning how to Alter with the
You're too busy being you to be a part of me.
And I'm wondering if I'm opaque enough to cast a shadow yet.
You're towering over my accomplishments without effort.
And I'm always sweaty from running.
You're interested without being needy.
And I'm uncertain when there's no guarantee.
You're exactly what I wanted
And I'm afraid you're what I need.
I saw a shadow following me
So says I, "What could you be?"
It only wavered high and low.
"Of that I'm sure I do not know"
"Well, how much further should we go?"
"We'll have to brave both wind and snow,
It's sure and certain then I'll grow
Into a shape that you can see
Is surely you, and always me."
SUBPLOTS
1. SPY IN THE STILL ORDER
Characters: Jemmi, Spy, Temmi when he finds out
Outline: Spy informs Rebellious the Knights are leading an important mission with untested Knights. Jemmi ambushes them using the Alter Engine coordinates lifted by the Spy. Temmi feels betrayed by this realization.
Purpose: Plot advancement, character development
Obstacle: Temmi and Spy were friends. Spy feels guilt.
Resolution: Temmi realizes not all Rebellious members are evil (maybe not even his brother???) and he feels free to talk to Spy since he knows where they stand and who will eventually find out everything said.
2. ROMANCE
Characters: Jemmi and Tem
Tension and the Dramatic Question by WorDabbler, literature
Literature
Tension and the Dramatic Question
Tension and the Dramatic Question
Dramatic Question: Can two rival brothers give up their personal dreams to bring peace to the realm? Catalyst: Tavish reveals that he is a member of the Rebellious to his brother Cowan
Apparent Failure/Success: Tavish captures Cowan and holds him hostage
Building Tension: Cowan blames Tavish for his loss of respect among the Still Order. Tavish feels more pride in winning over his brother than in moving towards overthrowing the Still Order.
Can they place their goals above their personal issues with one another?
Will Tavish trust his brother enough to try the plan?
Will Cowan choose to return to the Still Or
A darkling wishes none despair
It fosters hopes and dreams alike
They build fey castles in the air
In spite of that, and oh cruel spite!
Suffering and pain they share
For fey dreams fade once in the light
In the night, all dreams are freed
So taste your terrors, little one
Without knowing the face it shows
When the light bathes your smile
And your fears swear denial
Your very flesh recoils from the lie
Elina’s Character Arc
Flaws: Short tempered, holds a grudge
Goals: To master the intricacies of the Alter Engines
Motivation: Prove her talent *Outer*
Confront her family over their lack of support/belief *Inner*
Conflict/Obstacle: Elina’s mother is Lorde Steele, a Council member who holds much of the power in the Citadel. As someone who has benefited her whole life from the warped peace the Still Order provides, Elina can’t reveal her heritage to the Rebellious as her reason for joining; they would suspect her of conflicting loyalties or use her as a hostage against the Citadel. She has trouble with the lower quality tools
I'm supposed to be the example. Tavish had always followed him around. His little brother had listened to every one of his made-up adventures, agreed without question that one day Cowan would grow up and save the country from a possible future, had played a nation of adoring fans for the knight who traveled to the most bizarre, dangerous times to keep the Populace safe. Cowan stared at the pile of laundry, slightly stiff from hours of flapping in the wind. Once Tavish had left, he got stuck with all the chores. Not that folding clothes took that long, but it was the principle of the thing. Tavish was off learning how to Alter with the
You're too busy being you to be a part of me.
And I'm wondering if I'm opaque enough to cast a shadow yet.
You're towering over my accomplishments without effort.
And I'm always sweaty from running.
You're interested without being needy.
And I'm uncertain when there's no guarantee.
You're exactly what I wanted
And I'm afraid you're what I need.
I saw a shadow following me
So says I, "What could you be?"
It only wavered high and low.
"Of that I'm sure I do not know"
"Well, how much further should we go?"
"We'll have to brave both wind and snow,
It's sure and certain then I'll grow
Into a shape that you can see
Is surely you, and always me."
SUBPLOTS
1. SPY IN THE STILL ORDER
Characters: Jemmi, Spy, Temmi when he finds out
Outline: Spy informs Rebellious the Knights are leading an important mission with untested Knights. Jemmi ambushes them using the Alter Engine coordinates lifted by the Spy. Temmi feels betrayed by this realization.
Purpose: Plot advancement, character development
Obstacle: Temmi and Spy were friends. Spy feels guilt.
Resolution: Temmi realizes not all Rebellious members are evil (maybe not even his brother???) and he feels free to talk to Spy since he knows where they stand and who will eventually find out everything said.
2. ROMANCE
Characters: Jemmi and Tem
The Altering Domhan Civilization by WorDabbler, literature
Literature
The Altering Domhan Civilization
CIVILIZATION: DOMHAN
Way of Life: Tribal
Kind of House: Wooden halls
Economy: Barter
Natural Resources: Honeywine, medicinal herbs. Honeywine is made from fermenting honey that is local to the region and mixing with fruits. It is more alcoholic than most beers and is an alternative to the wines grown in the merchant coastal areas. The Domhan export it sparingly and trade it for metals and gemstones.
Food: Lots of vegetables, edible animals
Occupation: Hunter, Gatherer, Chief, Priest/ess, trainer (keeper of birds), skilled worker (musician, physician, craftsman, brewer, smith, etc.)
Who owns land: Chiefs
Education: Oral education from
The Altering Gazar Civilization by WorDabbler, literature
Literature
The Altering Gazar Civilization
CIVILIZATION: GAZAR
Way of Life: Nomadic
Kind of House: Hides wrapped around giant sleds and carts that hold their wealth, pulled by horses. (Sleds for desert, carts for grassland.)
Economy: Barter/Raiding
Natural Resources: Water, gold, silver, copper, and gemstones.
Food: Herd animals, milk. Fruit and vegetables are seen as treats; grains are a non-Gazar weakness.
Occupation: Herders, merchants, miners.
Who owns land: No-one
Education: Shamans teach the young, then it is apprentice system.
Gender roles: None
Races and Ethnic Groups: Gazar relish life and disdain anyone who they see as letting life go past them.
Domhan: Too busy th
The Altering Coastal Merchants Civilization by WorDabbler, literature
Literature
The Altering Coastal Merchants Civilization
CIVILIZATION: Coastal Merchants
Way of Life: Buying and selling things! The Coastal Merchants have a feel for the lifeblood of the land-and exactly how much it’s worth, and exactly who the highest bidder will be. They revel in ostentatious displays of their wealth, a sign to competing merchants of their success, and are never seen without their assistants. All merchant houses are required to contract an assistant to double check their ledgers, ensuring legality, but the wealthiest houses hire many assistants, ‘because there’s so many accounts to look after!’
Kind of House: Wood and stone buildings. The more money the
Tension and the Dramatic Question by WorDabbler, literature
Literature
Tension and the Dramatic Question
Tension and the Dramatic Question
Dramatic Question: Can two rival brothers give up their personal dreams to bring peace to the realm? Catalyst: Tavish reveals that he is a member of the Rebellious to his brother Cowan
Apparent Failure/Success: Tavish captures Cowan and holds him hostage
Building Tension: Cowan blames Tavish for his loss of respect among the Still Order. Tavish feels more pride in winning over his brother than in moving towards overthrowing the Still Order.
Can they place their goals above their personal issues with one another?
Will Tavish trust his brother enough to try the plan?
Will Cowan choose to return to the Still Or
A darkling wishes none despair
It fosters hopes and dreams alike
They build fey castles in the air
In spite of that, and oh cruel spite!
Suffering and pain they share
For fey dreams fade once in the light
You're too busy being you to be a part of me.
And I'm wondering if I'm opaque enough to cast a shadow yet.
You're towering over my accomplishments without effort.
And I'm always sweaty from running.
You're interested without being needy.
And I'm uncertain when there's no guarantee.
You're exactly what I wanted
And I'm afraid you're what I need.
The Hero's Journey Workshop by illuminara, journal
The Hero's Journey Workshop
Ever heard of the Hero's Journey? Confused by the mythological-sounding terms? Never fear! This article will provide you with a basic understanding of the origin, concept, and use of the Hero’s Journey in modern storytelling.
What Is the Hero’s Journey?
Originally proposed by an American mythological researcher named Joseph Campbell, the Hero’s Journey is an all-embracing metaphor for the deep inner journey of transformation that heroes from all eras seem to share. Years of research lead Campbell to discover several basic stages that almost every hero endures regardless of origin or culture. He called this common structure
How to Write a First Draft Without Perfectionism by illuminara, literature
Literature
How to Write a First Draft Without Perfectionism
Maybe you’ve heard that first drafts are supposed to suck, but what does that really mean? What does a sucky first draft look like? How do you allow yourself to suck? Why would you even want to allow yourself to write something that sucks in the first place?
Because otherwise, you’ll most likely be crippled by the writer’s arch nemesis: perfectionism.
Did you just cringe? We all experience it when we sit down to write, arrange everything just so, type a sentence or two (or a bit more if you’re lucky), and then it strikes—your inner editor. It smacks you across the face and demands that you fix that grammar mist
plunged in swearing seethe,
the color of a carried greed.
your settlements are derelict
with diplostatic enmity.
slenderly dispense of me,
set me on an axis crass
clashing with the wear upon
the exit craft.
crashing into lustre seas,
your enacted lectures seize
impassioned gasps with expertly
presented fashion. busted greaves
and massive gaps in chainmail
breathe uneasy with the texture
of deceit. you're a dashing vex
in plaster step, crushing all
elected masters.
burn your atmosphere discretely,
turn the atoms into neatly ordered
graves. keep an imprint of the names
that you bested with heat and asbestos
greed. every weakness you spurned
w
Character Relationships and Themes by C-A-Harland, journal
Character Relationships and Themes
The relationships between your characters can be a powerful tool for reminding your readers what the core themes and objectives are in your story. They act as a reinforcement, getting into the subconscious of the reader and subtly guiding them down the right track. Without this link between relationships and themes it is very easy for the reader to become distracted from the core themes, or to lose sight of them entirely.
For example, if your story revolves around a character who is trying to find the identity of her lost family, but every relationship involving her is a romantic one, your reader may become confused as to whether they are re
We all know theme is important to good storytelling. But how important is it and why? What is theme? And how can you develop a strong theme in your stories? Let's get down to business ... to defeat the Huns!
What Is Theme?
According to the New Oxford English Dictionary, theme is:
an idea that recurs in or pervades a work of art or literature.
In the realm of storytelling, theme is the overarching subject matter or core message behind the work. Theme is pervasive and should permeate every aspect of your story so that the story effectively revolves around it.
Why Is Theme Important?
Theme ties your story together, giving it a sense of cohesi
Serina is a writer and editor. She loves putting chocolate in her coffee and making people happy. She writes about the heart, fairies and people, and how they intertwine. Formerly known on dA as KiltlessWonder, she's come back with a vengeance-and updated style!
Favourite TV Shows
Community
Favourite Bands / Musical Artists
David Bowie
Favourite Books
The Dark is Rising
Favourite Writers
Andre Norton, Mercedes Lackey, Stephen Crane, Robert A. Heinlein
Hey gang, I just uploaded the culture packets, plotline and developing story for The Altering! Check it out in 'Novel Bits' and let me know what you thought!